That Drifting Poo Was Far Too Meaningful! These Are the TV Letdowns of the Year.

Looking back, we reflect on the television landscape of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series started, it looked like it had at last found its groove. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the last season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too symbolic. Still, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was hard to know where to start enumerating the problems. The laughably wooden dialogue? The tedious veneration of wealth and materialism? The almost wilful procession of tropes? Acting so bad they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as intentional statements. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Instead, the viewing was akin to reading a marketing brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of talented younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services targeting – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for explicit exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Troy Cunningham
Troy Cunningham

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and software trends.